LAVA Exclusives

The Flâneur & The City: Broadway On My Mind walking tour #12

To sign up for this free event: First register as a user on this site, or login, and then return to this page. Refresh the page and the signup tab will appear just to the left, above this paragraph. Click "signup" and reserve your spot. No plus-ones; each guest must register individually.

Join us the latest installment of The Flaneur & The City: Broadway On My Mind walking tour series. (This tour series was originally titled Broadway Streetscape Master Plan Awareness walking tour.)  

About This Tour:

This month’s tour will be the third of several tours which focus on the architect Robert Brown Young, whose career spans the 19th & 20th centuries, the residential and commercial. His work on Broadway is the perfect introduction to understanding Young and his iconic structures.  

Our goal with these tours is to explore the history of the built environment on Broadway, while seeking to understand the scope of the work of Strategy One, Phase One of the Broadway Streetscape Master Plan and the “Road Diet,” which has recently begun.

Press clippings: the walking tour series is featured in Mike Sonksen's KCET Departures report, "Punk Rock, Poetry, and Public Policy." 

Video from previous Broadway On My Mind walking tours: tour #1, tour #2, tour #3, tour #4, tour #5tour #7.

ABOUT THE TOUR SERIES: In July 2013, LAVA launched a series of monthly walking tours along Broadway meant to raise consciousness about the Broadway Theater and Commercial District, which is listed on the National Register of Historic Places, and the pending implementation of Strategy One, Phase One of the City of Los Angeles’ Broadway Streetscape Master Plan (PDF). Each walking tour will follow and depart from the free LAVA Sunday Salon.

Stretching from 2nd Street to Olympic, the District contains the most intact collection of Beaux-Arts buildings in Los Angeles, and the largest collection of historic theaters anywhere in the United States.

As Broadway’s vast scope and scale can be overwhelming, on each walking tour we will look closely at several different historic buildings, in order to acclimatize the observer to better understand and appreciate the whole. We will also be looking at the historic streetscape, with attention paid to street lights, sidewalks (terrazzo in particular), basement hatches, sidewalk vents, glass blocks, manhole covers, granite curbs and signage.

Motivation for this tour series:

With City Council’s June 2013 approval of funding for Strategy One, Phase One of the Broadway Streetscape Master Plan, we believe that it is it is imperative to develop a greater public awareness and understanding of Broadway’s architectural and scenic qualities, and to bring the informed voices of the community into discussion of the proposed changes and alterations. We believe that no element of Broadway’s streetscape can be altered without causing a transformation of the whole, requiring careful consideration before any permanent or semi-permanent changes are made. Broadway’s architectural character is defined not by any single feature (uniform height limits, predominance of theaters) or single landmark building (Eastern Columbia, Bradbury Building, Los Angeles Theater), but upon the concord of all of it, and the strength of the impression which all together they provide. No feature or building is of dominant importance, but each contributes, and all are vitally fused together into our National Register landmark district. Many of the salient architectural and streetscape features which will be the focus of this tour series are proposed to be impacted by the yet-unfunded Strategy One, Phase Two of the Broadway Streetscape Master Plan. The evolving situation demands public input and public awareness. We hope that you will join us on the tour series to better understand Broadway and become an advocate for its continued preservation, stewardship and vibrancy.

Don't Turn Your Back: Real L.A. Murders from the Dawn of Forensic Science

To purchase a ticket for this special event, click here. If you'd like to be contacted when another crime lab tour and lecture are scheduled, subscribe to LAVA's occasional Crime Lab Newsletter.

Join us in the Cal State Los Angeles teaching crime lab for an afternoon’s inquiry into the history of forensic science in Los Angeles, in support of new research coming out of the Criminalistics Department.

Presenters:

Mike Fratantoni, an LASD Deputy who sits on the board of the Los Angeles County Sheriff’s Museum, makes a return engagement to the crime lab to present two fascinating and complex cases which will explore the development of forensic investigation.

Meiling Cabral is Chair of the California Association of Criminalists’ Historical Committee, and a forensic investigator for the LAPD. Meiling combines a practicing forensic scientist’s experience and an historian’s passion for reconstructing the past. For each of Deputy Fratantoni’s case presentations, she will provide a “Then & Now” forensic overview, highlighting technological breakthroughs, methodological changes and how the cases have influenced the development of modern forensic investigation.

Case One: Poor Little Louise Peete

In 1920, a homeless Louise Peete turned her romantic attentions towards elderly mining executive Jacob Denton, and moved into his house off Wilshire Boulevard. In May, Denton disappeared. When his friends called, Louise claimed that Denton had gone into hiding after being disfigured in a sword fight. For months, she lived and entertained in Denton’s mansion, until the police agreed to search the house. Denton’s murdered body was discovered buried in the basement, but Louise Peete had flown the coop. Captured and tried, she was found guilty of murder and sentenced to life in San Quentin. She served eighteen years, and was once again homeless. Good-hearted Margaret Logan offered Louise a position as paid companion and housekeeper. Five years later, Margaret vanished. Her body was discovered in the backyard of her Pacific Palisades home. Thanks to the forensic evidence gathered and interpreted by Ray Pinker, LAPD chemist and future director of the CSULA Criminalistics Department, Louise was found guilty of murder and executed in the California gas chamber in 1947.

Case Two: The End of Charlie Crawford

Charlie “The Gray Wolf” Crawford and newspaper editor Hebert Spencer were shot, Spencer fatally, in Crawford’s Hollywood office on May 20, 1931. The investigation and trials that followed are the stuff of Los Angeles legend. Crawford was a racketeer who was in with the crooked “City Hall Crowd” during Prohibition. He died in a hospital ward muttering with his last breath that he’d take the name of his killer to his grave. Forensic investigators in the LAPD went to work seeking the answer. Before they found it, David Clark, a former Assistant District Attorney and candidate for a municipal judgeship, walked into the Hall of Justice and confessed. Homicide detectives were incredulous, and the forensic investigation continued. The first trial resulted in a mistrial, the second in acquittal. In his presentation, Deputy Frantantoni will walk us through the landmark forensic analysis and pull back the curtains on this rich and fascinating period of Los Angeles history, and a story so twisted, no less a noir master than Raymond Chandler fictionalized it.

LAVA's 38th Sunday Salon

Join LAVA for our revived free monthly Sunday Salon series. We return to South Broadway, to the mezzanine of Les Noces du Figaro, which was recently opened by the family behind Figaro Bistro in Los Feliz. This handsome space was formerly Schaber’s Cafeteria (Charles F. Plummer, 1928), and the mezzanine features wonderful views of the Los Angeles Theatre.

On the last Sunday of each month, LAVA welcomes interested individuals to gather in downtown Los Angeles (noon-2pm), for a structured Salon featuring formal presentations and opportunities to meet and connect with one another. If you’re interested in joining LAVA as a creative contributor or an attendee, we recommend Salon attendance as an introduction to this growing community. We also recommend the eclairs.

Read about the original Sunday Salon at Clifton's Cafeteria here.

Presentation One The Mystique of the Orange.

Cloaked in mystery and available only to the elite until modern times, the orange has been known as the fruit of the gods, the food of emperors, a token of gratitude and a symbol of health, wealth and love. Since it entered history, the dream of California has been that it is a place of plenty, of potential, of personal opportunity. The orange became a glowing symbol of this dream. David Boulé, author of the recently released The Orange and the Dream of California (Angel City Press), will take a lively, literary and extraordinarily visual look at this colorful and captivating history and reveal the tremendous impact of the orange on the culture and development of California, and how these two entities have built on one another to feed the imagination and conjure a compelling fantasy.

A third generation Californian, David has a lifelong fascination with the history, culture, achievements and uniqueness of the region. “The enduring image of California as paradise and the orange as unique among all fruit is because, partially, these things are true. These traits have then been magnified by poets and boosters, artists and hucksters, songwriters and bureaucratswith both artistic and commercial motivationto appeal to people’s continuing desire to believe that such exceptional perfection can really exist,” he says.

Presentation Two Charlie Chaplin & Keystone’s Centennial.

One hundred years ago, Charlie Chaplin made his film debut in Mack Sennett’s Keystone Comedies. Within the year, he would become the biggest star in motion pictures, going on to set filmmaking artistic standards that some feel have never be duplicated. During that first year of 1914, Chaplin filmed in various Los Angeles neighborhoods, and—in several cases—used actual events (ranging from the dedication of a Wilmington wharf to various auto races on streets and tracks) as a backdrop for his comedies. Brent E. Walker, author of Mack Sennett’s Fun Factory, will take us on a guided tour of Chaplin in 1914, and the Los Angeles history revealed in these early comedies.

PLEASE NOTE: this Sunday Salon will be slightly longer than usual in order to accommodate three talks.

The second presentation will end at 1:45pm. The third presentation runs from 2:00pm-2:30pm, and will serve as an introduction to the Broadway On My Mind Walking Tour which immediately follows.

Presentation Three: Open Street Map & Historical Overlays

Join us as Charlotte Wolter explains how OpenStreetMap is creating an open, free map of the world that anyone can use.

It works by marshaling the energies and knowledge of tens of thousands of volunteers around the globe who contribute their time and local knowledge in a phenomenon known as “crowd-sourcing,” focusing this mass of people in a common effort for the common good.

[OpenStreetMap] is also a sophisticated technical effort, one in which some of the best minds in geographic / mapping science and computing have contributed their abilities to create the storage system that keeps all of OpenStreetMaps’ huge data files safe and quick to access.

These programmers also have helped to develop an online mapping interface that make it easy for anyone to contribute to OpenStreetMap. If you have an interest in the history of a place, OpenStreetMap (and its corollary, OpenHistoricalMap) are here to provide a way to put that history, literally, on the map.

If you’d like to map historical sites that still exist, you’ll use OpenStreetMap. For lost locations, OpenHistoricalMap is the place where contributors can provide reconstructions of places that existed in the past, whether the buildings still exist today or not.

In this presentation, you will have an opportunity to try your hand at contributing to OpenStreetMap, using your knowledge of historic sites in Los Angeles. You can even bring your laptop computer if you’d like to learn how to edit Open StreetMap at home. The tools and techniques you’ll discover in this presentation will also be useful if you’d like to add lost locations to OpenHistoricalMap .

The Salon will be followed by a free walking tour, The Flaneur & The City: Broadway on My Mind walking tour #11. Please visit the tour series Landing Page for videos and descriptions of past tours and the goals of the series.

The Flâneur & The City: Broadway On My Mind walking tour #11

To sign up for this free event: First register as a user on this site, or login, and then return to this page. Refresh the page and the signup tab will appear just to the left, above this paragraph. Click "signup" and reserve your spot. No plus-ones; each guest must register individually.

Join us the latest installment of The Flaneur & The City: Broadway On My Mind walking tour series. (This tour series was originally titled Broadway Streetscape Master Plan Awareness walking tour.)  

About This Tour:

This month’s tour will be the third of several tours which focus on the architect Robert Brown Young, whose career spans the 19th & 20th centuries, the residential and commercial. His work on Broadway is the perfect introduction to understanding Young and his iconic structures.  

Our goal with these tours is to explore the history of the built environment on Broadway, while seeking to understand the scope of the work of Strategy One, Phase One of the Broadway Streetscape Master Plan and the “Road Diet,” which has recently begun.

Press clippings: the walking tour series is featured in Mike Sonksen's KCET Departures report, "Punk Rock, Poetry, and Public Policy." 

Video from previous Broadway On My Mind walking tours: tour #1, tour #2, tour #3, tour #4, tour #5tour #7.

ABOUT THE TOUR SERIES: In July 2013, LAVA launched a series of monthly walking tours along Broadway meant to raise consciousness about the Broadway Theater and Commercial District, which is listed on the National Register of Historic Places, and the pending implementation of Strategy One, Phase One of the City of Los Angeles’ Broadway Streetscape Master Plan (PDF). Each walking tour will follow and depart from the free LAVA Sunday Salon.

Stretching from 2nd Street to Olympic, the District contains the most intact collection of Beaux-Arts buildings in Los Angeles, and the largest collection of historic theaters anywhere in the United States.

As Broadway’s vast scope and scale can be overwhelming, on each walking tour we will look closely at several different historic buildings, in order to acclimatize the observer to better understand and appreciate the whole. We will also be looking at the historic streetscape, with attention paid to street lights, sidewalks (terrazzo in particular), basement hatches, sidewalk vents, glass blocks, manhole covers, granite curbs and signage.

Motivation for this tour series:

With City Council’s June 2013 approval of funding for Strategy One, Phase One of the Broadway Streetscape Master Plan, we believe that it is it is imperative to develop a greater public awareness and understanding of Broadway’s architectural and scenic qualities, and to bring the informed voices of the community into discussion of the proposed changes and alterations. We believe that no element of Broadway’s streetscape can be altered without causing a transformation of the whole, requiring careful consideration before any permanent or semi-permanent changes are made. Broadway’s architectural character is defined not by any single feature (uniform height limits, predominance of theaters) or single landmark building (Eastern Columbia, Bradbury Building, Los Angeles Theater), but upon the concord of all of it, and the strength of the impression which all together they provide. No feature or building is of dominant importance, but each contributes, and all are vitally fused together into our National Register landmark district. Many of the salient architectural and streetscape features which will be the focus of this tour series are proposed to be impacted by the yet-unfunded Strategy One, Phase Two of the Broadway Streetscape Master Plan. The evolving situation demands public input and public awareness. We hope that you will join us on the tour series to better understand Broadway and become an advocate for its continued preservation, stewardship and vibrancy.

The Flâneur & The City: Broadway On My Mind walking tour #10

To sign up for this free event: First register as a user on this site, or login, and then return to this page. Refresh the page and the signup tab will appear just to the left, above this paragraph. Click "signup" and reserve your spot. No plus-ones; each guest must register individually.

Join us the latest installment of The Flaneur & The City: Broadway On My Mind walking tour series. (This tour series was originally titled Broadway Streetscape Master Plan Awareness walking tour.)  

About This Tour:

This month’s tour will be the second of several tours which focus on the architect Robert Brown Young, whose career spans the 19th & 20th centuries, the residential and commercial. His work on Broadway is the perfect introduction to understanding Young and his iconic structures. One of the buildings to be tackled this month is the O.T. Johnson Block.

Our goal with these tours is to explore the history of the built environment on Broadway, while seeking to understand the scope of the work of Strategy One, Phase One of the Broadway Streetscape Master Plan and the “Road Diet,” which has recently begun.

Press clippings: the walking tour series is featured in Mike Sonksen's KCET Departures report, "Punk Rock, Poetry, and Public Policy." 

Video from previous Broadway On My Mind walking tours: tour #1, tour #2, tour #3, tour #4, tour #5tour #7.

ABOUT THE TOUR SERIES: In July 2013, LAVA launched a series of monthly walking tours along Broadway meant to raise consciousness about the Broadway Theater and Commercial District, which is listed on the National Register of Historic Places, and the pending implementation of Strategy One, Phase One of the City of Los Angeles’ Broadway Streetscape Master Plan (PDF). Each walking tour will follow and depart from the free LAVA Sunday Salon.

Stretching from 2nd Street to Olympic, the District contains the most intact collection of Beaux-Arts buildings in Los Angeles, and the largest collection of historic theaters anywhere in the United States.

As Broadway’s vast scope and scale can be overwhelming, on each walking tour we will look closely at several different historic buildings, in order to acclimatize the observer to better understand and appreciate the whole. We will also be looking at the historic streetscape, with attention paid to street lights, sidewalks (terrazzo in particular), basement hatches, sidewalk vents, glass blocks, manhole covers, granite curbs and signage.

Motivation for this tour series:

With City Council’s June 2013 approval of funding for Strategy One, Phase One of the Broadway Streetscape Master Plan, we believe that it is it is imperative to develop a greater public awareness and understanding of Broadway’s architectural and scenic qualities, and to bring the informed voices of the community into discussion of the proposed changes and alterations. We believe that no element of Broadway’s streetscape can be altered without causing a transformation of the whole, requiring careful consideration before any permanent or semi-permanent changes are made. Broadway’s architectural character is defined not by any single feature (uniform height limits, predominance of theaters) or single landmark building (Eastern Columbia, Bradbury Building, Los Angeles Theater), but upon the concord of all of it, and the strength of the impression which all together they provide. No feature or building is of dominant importance, but each contributes, and all are vitally fused together into our National Register landmark district. Many of the salient architectural and streetscape features which will be the focus of this tour series are proposed to be impacted by the yet-unfunded Strategy One, Phase Two of the Broadway Streetscape Master Plan. The evolving situation demands public input and public awareness. We hope that you will join us on the tour series to better understand Broadway and become an advocate for its continued preservation, stewardship and vibrancy.

LAVA's 37th Sunday Salon

Join LAVA for our revived free monthly Sunday Salon series. We return to South Broadway, to the mezzanine of Les Noces du Figaro, which was recently opened by the family behind Figaro Bistro in Los Feliz. This handsome space was formerly Schaber’s Cafeteria (Charles F. Plummer, 1928), and the mezzanine features wonderful views of the Los Angeles Theatre.

On the last Sunday of each month, LAVA welcomes interested individuals to gather in downtown Los Angeles (noon-2pm), for a structured Salon featuring formal presentations and opportunities to meet and connect with one another. If you’re interested in joining LAVA as a creative contributor or an attendee, we recommend Salon attendance as an introduction to this growing community. We also recommend the eclairs.

Read about the original Sunday Salon at Clifton's Cafeteria here.

Presentation One: 24 writers: 20th Century Science Fiction

Milt Stevens, a long time Science Fiction fan who for a bit over fifty years has been a member of the Los Angeles Science Fantasy Society — the world’s oldest science fiction club, and which for many years met down the street at Clifton’s Cafeteria — will talk about 24 writers who are major influences on 20th century SF. By Milt’s own admission his presentation will be anecdotal and by no means comprehensive. Some of the writers to be discussed are Jack Williamson, Kurt Vonnegut, Leigh Brackett, Marion Zimmer Bradley, Murray Leinster, Octavia Butler, Philip K. Dick, Poul Anderson and Ray Bradbury.

Presentation Two: The Magical World Of Jack Parsons

The fascinating story of Jack Parsons — follower of Aleister Crowley, pioneering rocket scientist, and early member of the Los Angeles Science Fantasy Society — has become increasingly well known in recent years. But few have examined his beliefs and practices. To really understand the man who summoned the goddess Babalon into physical manifestation, you need to start with the law of Thelema, proceed through Ordo Templi Orientis, Qabalah and Enochian magick, and continue to the reception of Liber XLIX and the transformation of Witchcraft for a new Aeon. Join Craig Berry, an initiate of Ordo Templi Orientis, on a journey through the magical world of Jack Parsons.

The Salon will be followed by a free walking tour, The Flaneur & The City: Broadway on My Mind walking tour #10. Please visit the tour series Landing Page for videos and descriptions of past tours and the goals of the series.

The Flâneur & The City: Broadway On My Mind walking tour #9

To sign up for this free event: First register as a user on this site, or login, and then return to this page. Refresh the page and the signup tab will appear just to the left, above this paragraph. Click "signup" and reserve your spot. No plus-ones; each guest must register individually.

Join us the latest installment of The Flaneur & The City: Broadway On My Mind walking tour series. (This tour series was originally titled Broadway Streetscape Master Plan Awareness walking tour.)  

About This Tour:

This month’s tour will be the first of several tours which focus on the architect, Robert Brown Young, whose career spans the 19th & 20th century, residential and commercial. His work on Broadway is the perfect setting to begin to understand Young and his iconic structures.

Our goal with these tours is to explore the history of the built environment on Broadway, while seeking to understand the scope of the work of Strategy One, Phase One of the Broadway Streetscape Master Plan and the “Road Diet,” which has recently begun.

Press clippings: the walking tour series is featured in Mike Sonksen's KCET Departures report, "Punk Rock, Poetry, and Public Policy." 

Video from previous Broadway On My Mind walking tours: tour #1, tour #2, tour #3, tour #4, tour #5.

ABOUT THE TOUR SERIES: In July 2013, LAVA launched a series of monthly walking tours along Broadway meant to raise consciousness about the Broadway Theater and Commercial District, which is listed on the National Register of Historic Places, and the pending implementation of Strategy One, Phase One of the City of Los Angeles’ Broadway Streetscape Master Plan (PDF). Each walking tour will follow and depart from the free LAVA Sunday Salon.

Stretching from 2nd Street to Olympic, the District contains the most intact collection of Beaux-Arts buildings in Los Angeles, and the largest collection of historic theaters anywhere in the United States.

As Broadway’s vast scope and scale can be overwhelming, on each walking tour we will look closely at several different historic buildings, in order to acclimatize the observer to better understand and appreciate the whole. We will also be looking at the historic streetscape, with attention paid to street lights, sidewalks (terrazzo in particular), basement hatches, sidewalk vents, glass blocks, manhole covers, granite curbs and signage.

Motivation for this tour series:

With City Council’s June 2013 approval of funding for Strategy One, Phase One of the Broadway Streetscape Master Plan, we believe that it is it is imperative to develop a greater public awareness and understanding of Broadway’s architectural and scenic qualities, and to bring the informed voices of the community into discussion of the proposed changes and alterations. We believe that no element of Broadway’s streetscape can be altered without causing a transformation of the whole, requiring careful consideration before any permanent or semi-permanent changes are made. Broadway’s architectural character is defined not by any single feature (uniform height limits, predominance of theaters) or single landmark building (Eastern Columbia, Bradbury Building, Los Angeles Theater), but upon the concord of all of it, and the strength of the impression which all together they provide. No feature or building is of dominant importance, but each contributes, and all are vitally fused together into our National Register landmark district. Many of the salient architectural and streetscape features which will be the focus of this tour series are proposed to be impacted by the yet-unfunded Strategy One, Phase Two of the Broadway Streetscape Master Plan. The evolving situation demands public input and public awareness. We hope that you will join us on the tour series to better understand Broadway and become an advocate for its continued preservation, stewardship and vibrancy.

Kim Cooper's "The Kept Girl" reading and book signing

LAVA co-founders Kim Cooper and Richard Schave invite you to join them at Vroman's Bookshop for a reading and book signing for The Kept Girl (Esotouric Ink), Kim's debut novel of 1929 Los Angeles. Kim will read a selection from the book, answer questions and write something sweet inside your copy. Vintage attire is encouraged, but not required.   

The Kept Girl is inspired by a sensational real-life Los Angeles cult murder spree which exploded into the public consciousness when fraud charges were filed against the cult's leaders in 1929. The victim was the nephew of oil company president Joseph Dabney, Raymond Chandler's boss. In the novel, Chandler, still several years away from publishing his first short story, is one of three amateur detectives who uncover the ghastly truth about the Great Eleven cult over one frenetic week. Informed by the author's extensive research into the literary, spiritual, criminal and architectural history of Southern California, The Kept Girl is a terrifying noir love story, set against the backdrop of a glittering pre-crash metropolis.

The Flâneur & The City: Broadway On My Mind walking tour #8

THE TOUR IS CANCELLED. RICHARD HAS SCHEDULING CONFLICTS. WE WILL BE BACK NEXT MONTH IN MAY.

May's Broadway On My Mind Tour.

Join us next month for the latest installment of The Flaneur & The City: Broadway On My Mind walking tour series. (This tour series was originally titled Broadway Streetscape Master Plan Awareness walking tour.)  

About This Tour:

As the date for this tour approaches the focus of it will be announced. Our goal with these tours is to explore the history of the built environment on Broadway, while seeking to understand the scope of the work of Strategy One, Phase One of the Broadway Streetscape Master Plan and the “Road Diet,” which has recently begun.

 

Press clippings: the walking tour series is featured in Mike Sonksen's KCET Departures report, "Punk Rock, Poetry, and Public Policy." 

Video from previous Broadway On My Mind walking tours: tour #1, tour #2, tour #3, tour #4, tour #5.

ABOUT THE TOUR SERIES: In July 2013,LAVA launched a series of monthly walking tours along Broadway meant to raise consciousness about the Broadway Theater and Commercial District, which is listed on the National Register of Historic Places, and the pending implementation of Strategy One, Phase One of the City of Los Angeles’ Broadway Streetscape Master Plan (PDF). Each walking tour will follow and depart from the free LAVA Sunday Salon.

Stretching from 2nd Street to Olympic, the District contains the most intact collection of Beaux-Arts buildings in Los Angeles, and the largest collection of historic theaters anywhere in the United States.

As Broadway’s vast scope and scale can be overwhelming, on each walking tour we will look closely at several different historic buildings, in order to acclimatize the observer to better understand and appreciate the whole. We will also be looking at the historic streetscape, with attention paid to street lights, sidewalks (terrazzo in particular), basement hatches, sidewalk vents, glass blocks, manhole covers, granite curbs and signage.

Motivation for this tour series:

With City Council’s June 2013 approval of funding for Strategy One, Phase One of the Broadway Streetscape Master Plan, we believe that it is it is imperative to develop a greater public awareness and understanding of Broadway’s architectural and scenic qualities, and to bring the informed voices of the community into discussion of the proposed changes and alterations. We believe that no element of Broadway’s streetscape can be altered without causing a transformation of the whole, requiring careful consideration before any permanent or semi-permanent changes are made. Broadway’s architectural character is defined not by any single feature (uniform height limits, predominance of theaters) or single landmark building (Eastern Columbia, Bradbury Building, Los Angeles Theater), but upon the concord of all of it, and the strength of the impression which all together they provide. No feature or building is of dominant importance, but each contributes, and all are vitally fused together into our National Register landmark district. Many of the salient architectural and streetscape features which will be the focus of this tour series are proposed to be impacted by the yet-unfunded Strategy One, Phase Two of the Broadway Streetscape Master Plan. The evolving situation demands public input and public awareness. We hope that you will join us on the tour series to better understand Broadway and become an advocate for its continued preservation, stewardship and vibrancy.

 

 

 

An Afternoon In Old Monterey Park: El Encanto history tour

LAVA invites you to join us for an afternoon of historic discovery at the historic and breathtaking El Encanto, perhaps the most beautiful building in the San Gabriel Valley. This is a free, drop-in event; no tickets or reservations required. If you'd like to support LAVA's free programming, click here.

El Encanto was built in 1927 by Peter N. Snyder, the visionary Greek developer known as the “Father of the East Side,” as a leasing office and community center for his ambitious development Midwick View Estates. Nestled in a natural valley on Atlantic Boulevard south of Garvey, it was to be the Beverly Hills of the East Side. The covenants on the lots required the fashionable Spanish Colonial revival as the architectural style, and Snyder took the lead with several showcase hillside homes that he built himself. The centerpiece of the Midwick View Estates’ opening ceremonies, El Encanto is ideally placed perpendicular to Atlantic Boulevard opposite “The Cascades,” a series of tiered fountains and statuary which recalls the ancient beauty and aesthetics of Snyder’s native Greece. Sadly, the stock market crash and great depression killed all chances for this development to thrive but through some astonishing quirk of good fortune, El Encanto survived almost untouched.

Tile historian Brian Kaiser and El Encanto’s own Richard Gorman will lead two tours, each beginning at fifteen minutes after the hour. Richard will discuss of the history of the site and its varied uses over the decades, as well as its current role as office for the Monterey Park Chamber of Commerce. Brian will give an overview of Southern California ceramic tile technology and design in the 1920s, and how El Encanto is a rare intact specimen of that golden age, with some very intriguing glazes and stylistic choices.